It’s their place of work but it comes with a lot of responsibility and high regards. They get their brain pulled out or they can make it home to see kids. “They can make some money or they can go to jail. “It’s somebody out there risking everything they got to make a dollar and it can go either way,” Jeezy said. The trap, Jeezy explained, is not tied to a finite physical location. After rehearsal Friday night, but before the charity dinner, Jeezy spoke to The FADER backstage at Atlanta’s lavish Fox Theatre while getting a trim from his Edgewood Ave. That style Jeezy worked his ass off to nail-the 808 beats, menacing lyrics spat like diary entries, focus on the hustle-eventually became what’s widely accepted as the definitive album for trap music. The album acted like a small window into life in the trap, life as Jeezy knew from growing up in Atlanta’s various projects.
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